The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including acid house, techno, [ 1 ] house, [ 1 ] jungle, breakbeat, hardcore, happy hardcore, trance, trap and alternative dance.
The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. Fuelled by the emerging dance scene, and spearheaded by acid house music and underground bands such as The Prodigy, many of the “acid house” parties were held in squats during the late 1980s.
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The Rio bass night Wobble had an international star in its midst recently. Fred again.., armed with his famously childlike sense of wonder, dropped in to say hello and chat with attendees.
“He was really curious about baile funk and the Brazilian electronic music that’s happening now,” says Speedtest Records head Pedro Chediak, who was DJing that night.
“We talked for like 40 minutes.” Needless to say, the presence of beloved DJ, producer, and multi-instrumentalist du jour is as much a testament to Fred again..’s own good taste as it is to the global explosion of Latin club styles.
Baile funk has been firing up the underground clubs in London of late, even if, as cultural host and journalist Gabriela Vallim posited in this must-read 2025 piece for Mixmag, many clubbers remain unaware of its roots.
Chediak, whose Speedtest, co-run with Diogo Queiroz, has been synthesizing Brazilian and UK club sounds for the past four years, suggests baile funk’s growing dominion is part of, “this moment that Latin American culture is having.” He cites the increasing popularity of Spanish and Portuguese-language music, saying, “I feel like people in general are a little bit over the American way of doing pop music, and the way we do it here, for me at least, it’s very interesting.” For Chediak, the admiration works both ways.